 Last night in my watercolor class, we focused on greens.  My teacher has quite an interesting perspective on green-- saying it can either be super annoying or very beautiful.  She is such a hoot.  Our technique was the wash.  We looked to the art of Charles Rennie Mackintosh for guidance and inspiration.
 Last night in my watercolor class, we focused on greens.  My teacher has quite an interesting perspective on green-- saying it can either be super annoying or very beautiful.  She is such a hoot.  Our technique was the wash.  We looked to the art of Charles Rennie Mackintosh for guidance and inspiration.After looking at Mackintosh's work and watching a brief demonstration by our teacher that had nothing to do with the actual assignment (she did a background wash only, but did not focus on the subjects on hand), we set out to work. Honestly, I was sort of grasping at straws in the beginning. Then, I decided that the only way I knew how to make this technique work was to draw out all of the variations of shade as contour-like plates on the shape of the subjects and go from there. To keep the paint from bleeding between and among plates, I waited until each plate was dry before painting its adjacent plate.
I have been alternating between hot and cold press papers on these assignments, as a challenge to myself. For the wash technique, I need A LOT more practice on the hot press. yikes. The image above is my favorite of the night. You can view it on flickr by clicking here.
 
 
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